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8 January 1836 – 25 June 1912. Most renowned painters.

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John Vanderlyn
Panorama du palais et des jardins de Versailles

ID: 31681

John Vanderlyn Panorama du palais et des jardins de Versailles
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John Vanderlyn Panorama du palais et des jardins de Versailles


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John Vanderlyn

1775-1852 John Vanderlyn (October 18, 1775 ?C September 23, 1852) was a American neoclassicist painter, was born at Kingston, New York. He was employed by a print-seller in New York, and was first instructed in art by Archibald Robinson (1765-1835), a Scotsman who was afterwards one of the directors of the American Academy. He went to Philadelphia, where he spent time in the studio of Gilbert Stuart and copied some of Stuart's portraits, including one of Aaron Burr, who placed him under Gilbert Stuart as a pupil. He was a proteg?? of Aaron Burr who in 1796 sent Vanderlyn to Paris, where he studied for five years. He returned to the United States in 1801 and lived in the home of Burr, then the Vice President, where he painted the well-known likeness of Burr and his daughter. In 1802 he painted two views of Niagara Falls, which were engraved and published in London in 1804. He returned to Paris in 1803, also visiting England in 1805, where he painted the Death of Miss McCrea for Joel Barlow. Vanderlyn then went to Rome, where he painted his picture of Marius amid the Ruins of Carthage, which was shown in Paris, and obtained the Napoleon gold medal there. This success caused him to remain in Paris for seven years, during which time he prospered greatly. In 1812 he showed a nude Ariadne (engraved by Durand, and now in the Pennsylvania Academy), which increased his fame. When Aaron Burr fled to Paris, Vanderlyn was for a time his only support. Vanderlyn returned to the United States in 1815, and painted portraits of various eminent men, including Washington (for the U.S. House of Representatives), James Monroe, John C. Calhoun, Governor Joseph C. Yates, Governor George Clinton, Andrew Jackson, and Zachary Taylor. He also exhibited panoramas and had a "Rotunda" built in New York City which displayed panoramas of Paris, Athens, Mexico, Versailles (by himself), and some battle-pieces; but neither his portraits nor the panoramas brought him financial success, partly because he worked very slowly. In 1842, through friendly influences, he was commissioned by Congress to paint The Landing of Columbus. Going to Paris, he hired a French artist, who, it is said, did most of the work. It was engraved for the United States five-dollar banknotes. He died in poverty at Kingston, New York, on 23 September 1852. Vanderlyn was the first American to study in France instead of in England, and to acquire accurate draughtsmanship. He was more academic than his fellows; but, though faithfully and capably executed, his work was rather devoid of charm, according to the 1911 Encyclopaedia Britannica. His Landing of Columbus has been called (by Appleton's Cyclopedia) "hardly more than respectable." His other works include portraits of Monroe, and Robert R Livingston (New York Historical Society).  Related Paintings of John Vanderlyn :. | The Death of Jane McCrea | Ariadne Asleep on the Island of Naxos | Der Tod der Jane McCrae | Panorama du palais et des jardins de Versailles | Panorama du palais et des jardins de Versailles |
Related Artists:
Heinrich Friedrich Fuger
painted Prometheus brings Fire to Mankind in 1817
Horatio Walker
(May 12, 1858 - September 27, 1938) was a respected and commercially successful Canadian painter. He worked in oils and watercolors, often depicting scenes of rural life in Canada. He was highly influenced by the French Barbizon school of painting. Horatio Walker was born in 1858 to parents Thomas and Jeanne Maurice Walker. Thomas Walker emigrated in 1856 from Yorkshire, England, to Listowel, Ontario, with his wife of French and English heritage. Having some wealth, Thomas purchased land for lumber in Midwestern Ontario and Horatio was raised in relative comfort. His interest in art may originate from his father who crafted small figures as a hobby, and both his father and the local school teacher encouraged drawing as a pastime. In 1870, on Walkeres 12th birthday, his father brought him to Quebec City, Quebec, for the first time. His father made occasional business trips to the city as part of his timber business. During this sojourn, they visited the Île d'Orleans, in search of pine timber. Walker made subsequent visits to Quebec City during the following years. His formal schooling ended at the Listowel Public School in 1872; he never went on to pursue formal academic training in art. At the age of 15, Walker moved to Toronto, Ontario to apprentice with the photographic firm Notman and Fraser. It was a fortunate opportunity, as several successful artists worked also there; Walker learned watercolour from Robert Gagnon, miniature portrait painting from John Fraser, and painting from Lucius OeBrien and Henri Perre.
Wallerant Vaillant
Wallerant Vaillant, (Lille 30 May 1623 - Amsterdam 28 August 1677), was a painter of the Dutch Golden Age and one of the first artists to use the mezzotint technique, which he probably helped to develop. Wallerant Vaillant was the oldest of five brothers, who all became successful painters. Jacques (1625 - 1691) traveled to Italy where he joined the Bentvueghels in Rome with the nickname Leeuwrik, and settled later in Berlin. Jan (1627 - 1668+) was an engraver considered to be a member of the school of Frankenthal and later became a merchant in Frankfurt. Bernard (1632 - 1698) accompanied Wallerant on all of his travels, and settled later in Rotterdam, where he became deacon of the Wallonian Church. Andreas (1655 - 1693), the youngest, became an engraver in Paris, and died in Berlin visiting his brother Jacques. It is said Wallerant was a student of Erasmus Quellinus II (1607 - 1678) in Antwerp. He moved with his parents in 1643 to Amsterdam. In 1647 he lived in Middelburg, but in 1649 he was back in Amsterdam. In 1658 he traveled with his brother to Frankfurt and Heidelberg. He helped invent the Mezzotint technique (schraapkunst, or zwartekunst) with Prince Rupert of the Rhine when he was his tutor performing experiments in etching techniques. In 1659 he went to Paris with Philibert de Gramont where he stayed five years.






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